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<title>Gabriel Pascal</title>

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<span id="openzim-page-title" class="mw-page-title-main"><span class="mw-page-title-main">Gabriel Pascal</span></span>

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</style><div role="note" class="hatnote navigation-not-searchable">The native form of this <a href="Personal_name" title="Personal name">personal name</a> is <i>Lehel Gábor</i>. This article uses <a href="Personal_name#Western_name_order" title="Personal name">Western name order</a> when mentioning individuals.</div>

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</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Gabriel Pascal</div></th></tr><tr><td colspan="2" class="infobox-image"><div class="infobox-caption">Pascal c. 1938</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Gábor Lehel</div><br><span style="display:none">(<span class="bday">1894-06-04</span>)</span>4 June 1894<br><div style="display:inline" class="birthplace"><a href="Arad%2C_Romania" title="Arad, Romania">Arad</a>, <a href="Austria-Hungary" title="Austria-Hungary">Austria-Hungary</a> (now Romania)</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">6 July 1954<span style="display:none">(1954-07-06)</span> (aged 60)<br><div style="display:inline" class="deathplace">New York City, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Occupation</th><td class="infobox-data role"><a href="Film_producer" title="Film producer">Film producer</a></td></tr><tr><th scope="row" class="infobox-label">Known for</th><td class="infobox-data"><i><a href="Pygmalion_(1938_film)" title="Pygmalion (1938 film)">Pygmailion</a></i><br><i><a href="Major_Barbara_(film)" title="Major Barbara (film)">Major Barbara</a></i><br><i><a href="Caesar_and_Cleopatra_(film)" title="Caesar and Cleopatra (film)">Caesar and Cleopatra</a></i></td></tr><tr><th scope="row" class="infobox-label">Spouse</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1298804929">

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<div class="marriage-display-inline"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="Valerie_Delacorte" title="Valerie Delacorte">Valerie Pascal</a></div>

<div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1947; <abbr title="divorced">div.</abbr> 1954)<wbr></div></td></tr><tr><th scope="row" class="infobox-label">Children</th><td class="infobox-data">Peter Pascal</td></tr></tbody></table>

<p><b>Gabriel Pascal</b> (born <b>Gábor Lehel</b>; 4 June 1894 – 6 July 1954) was a Hungarian<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> film producer and director whose best-known films were made in the United Kingdom.

</p><p>Pascal was the first film producer to successfully bring the plays of <a href="George_Bernard_Shaw" title="George Bernard Shaw">George Bernard Shaw</a> to the screen. His most successful production was <i><a href="Pygmalion_(1938_film)" title="Pygmalion (1938 film)">Pygmalion</a></i> (1938), for which Pascal received an <a href="Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> nomination as its producer. Later adaptations of Shaw plays included <i><a href="Major_Barbara_(film)" title="Major Barbara (film)">Major Barbara</a></i> (1941), <i><a href="Caesar_and_Cleopatra_(film)" title="Caesar and Cleopatra (film)">Caesar and Cleopatra</a></i> (1945) and <i><a href="Androcles_and_the_Lion_(1952_film)" title="Androcles and the Lion (1952 film)">Androcles and the Lion</a></i> (1952).

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<div class="mw-heading mw-heading2"><h2 id="Early_life">Early life</h2></div>

<p>Pascal was born Gábor Lehel<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup>

on 4 June 1894 in <a href="Arad%2C_Romania" title="Arad, Romania">Arad</a>, <a href="Transylvania" title="Transylvania">Transylvania</a>, <a href="Kingdom_of_Hungary" title="Kingdom of Hungary">Kingdom of Hungary</a>, <a href="Austro-Hungarian_Empire" class="mw-redirect" title="Austro-Hungarian Empire">Austro-Hungarian Empire</a> (now Romania). His wife wrote in her book on Pascal's relationship with Shaw that her husband's "origin was shrouded in a mystery which, I often suspected, he enjoyed thickening with contradictory remarks. When people tried to probe into his past, he had a tailor-made answer for each inquirer."<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup>

</p><p>He claimed to have been an orphan taken from a burning building as a child and raised first by <a href="Romani_people" title="Romani people">Gypsies</a> before being put into an orphanage. He also claimed that the Gypsies taught him to beg, steal, and do acrobatic tricks.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> It is unclear what parts of his account of his childhood are true as there are no formal records of him before the age of 17 when he was enlisted in military school in Holics, Hungary (now <a href="Hol%C3%AD%C4%8D" title="Holíč">Holíč</a>, Slovakia), by a mysterious Jesuit priest.

</p><p>Pascal, who decidedly was unfit for military life, became interested in theatre and studied at the Academy of the <a href="Burgtheater" title="Burgtheater">Hofburgtheater</a> in Vienna. Later, his interest expanded into the newly burgeoning cinema, and he made films in Germany and Italy with sporadic success. Becoming a <a href="Teetotalism" title="Teetotalism">teetotaler</a> at an early age, he smoked cigars prodigiously, later provoking admonishments from <a href="George_Bernard_Shaw" title="George Bernard Shaw">George Bernard Shaw</a> that he would ruin his voice.

</p><p>Pascal had one son, Peter, conceived in Germany with his landlady's sister Elsie, during the delirium of a fever. Unable to care even for himself, Pascal fled to the Netherlands. After World War II ended, Pascal returned to Germany to search for his son Peter, but he was listed among the missing <a href="Hitler_Youth" title="Hitler Youth">Hitler-Jugend</a>. Elsie had been killed by a bomb.

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<div class="mw-heading mw-heading2"><h2 id="Early_career">Early career</h2></div>

<p>As a young man, Pascal found a job tending horses in Hungary. Leading the horses through the forest to a stream each day, Pascal developed the habit of riding naked and bareback through the Hungarian countryside. One day he accidentally rode stark naked through the outdoor set of a silent movie in production and was "discovered".<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> The film's director asked him to repeat the ride for the cameras, and he joined the group. Soon he was making his own movies.

</p><p>Pascal had another auspicious encounter when he was young while walking along the shore of the Mediterranean Sea. A much older man, <a href="George_Bernard_Shaw" title="George Bernard Shaw">George Bernard Shaw</a>, was swimming naked holding onto a buoy. A conversation ensued, and Shaw dared the young Pascal on the shore to take off his clothes and join him in the water. He was impressed when Pascal immediately did so, and this began their friendship. Shaw enjoyed Pascal's youthful enthusiasm for art and his bravado, and invited him to visit him one day when he was broke.<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> This chance meeting was to play a major role in Pascal's later career.

</p><p>Pascal began his producing career making <a href="Silent_film" title="Silent film">silent movies</a> in Italy for German distribution through <a href="Universum_Film_AG" class="mw-redirect" title="Universum Film AG">UFA Studios</a> in Berlin. His directorial debut was <i>Populi Morituri,</i> in which he also starred. He later produced comedies in Germany.

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<div class="mw-heading mw-heading2"><h2 id="Meher_Baba_and_India">Meher Baba and India</h2></div>

<p>In 1934, during a trip to Hollywood, Pascal was contacted by <a href="Norina_Matchabelli" title="Norina Matchabelli">Princess Norina Matchabelli</a> (wife of the perfume manufacturer) about a film project based on the teachings of <a href="Meher_Baba" title="Meher Baba">Meher Baba</a>. Pascal became very interested in this project, bringing writers <a href="Hy_Kraft" class="mw-redirect" title="Hy Kraft">Hy Kraft</a><sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> and <a href="Karl_Vollm%C3%B6ller" title="Karl Vollmöller">Karl Vollmöller</a> into helping him work up treatments and even making a trip to India to discuss the project further with Meher Baba. By the time Pascal arrived in India, however, Meher Baba did not seem in any hurry to complete the film, saying it could wait. He invited Pascal to travel with him in India. Most ordinary men would have been discouraged, but Pascal took energetically to the austere life of an eastern ascetic, even shedding his western garb for eastern clothing.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> He took a liking to Meher Baba and maintained a correspondence with him for the rest of his life. Meher Baba nicknamed Pascal as his "Phoenix" and alternately his "Black Panther."<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup>

</p><p>Pascal remained in close correspondence with his master Meher Baba until the end of his life; he met with him for the last time in 1952 in Scarsdale, New York.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> Even in this final meeting, they discussed films which Pascal planned to produce for Meher Baba.

</p><p>Thirty years before <a href="Richard_Attenborough" title="Richard Attenborough">Richard Attenborough</a>'s film <i><a href="Gandhi_(film)" title="Gandhi (film)">Gandhi</a></i>, Pascal had a written agreement with <a href="Jawaharlal_Nehru" title="Jawaharlal Nehru">Jawaharlal Nehru</a>, the prime minister of India, to produce a movie of <a href="Mahatma_Gandhi" title="Mahatma Gandhi">Gandhi</a>'s life.<sup id="cite_ref-pascal70_14-0" class="reference"><a href="#cite_note-pascal70-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading2"><h2 id="Collaborations_with_Shaw">Collaborations with Shaw</h2></div>

<p>Pascal took a ship back from India to the United States, penniless but undaunted. He landed in San Francisco where he spent some time deciding what to do next. He decided to approach playwright George Bernard Shaw, whom he had met many years earlier. During that earlier meeting Shaw, who had been impressed with the young Pascal's passion for art and cinema, had told him to pay him a visit when he was entirely penniless. Pascal sought out Shaw, first by going to New York City hidden in the toilet of a railroad train, then convincing a sea captain to give him a lift to England.

</p><p>Somehow he convinced Shaw to give him the rights to his plays, beginning with <i><a href="Pygmalion_(1938_film)" title="Pygmalion (1938 film)">Pygmalion</a></i> (1938), which he released as a film. It was an enormous international hit, both critically and financially. Pascal tried to convince Shaw to let <i>Pygmalion</i> be turned into a musical, but the outraged Shaw explicitly forbade it, having had a bad experience with the operetta <i><a href="The_Chocolate_Soldier" title="The Chocolate Soldier">The Chocolate Soldier</a></i> (based on Shaw's <i><a href="Arms_and_the_Man" title="Arms and the Man">Arms and the Man</a></i>). Pascal was the only person to convince Shaw to adjust his scripts to the new medium of cinema, gaining concessions from Shaw that no one else could. Pascal created the line for <i>Pygmalion</i> (later used by <a href="Lerner_and_Loewe" title="Lerner and Loewe">Lerner and Loewe</a> in their musical version <i><a href="My_Fair_Lady" title="My Fair Lady">My Fair Lady</a></i>) "<a href="The_Rain_in_Spain" title="The Rain in Spain">The rain in Spain stays mainly in the plain</a>." Shaw, who publicly was referring to Pascal as a genius, added the line into the script.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup>

</p><p>In 1938, Pascal was named as one of the world's more famous men by <i>Time</i> magazine, along with <a href="Adolf_Hitler" title="Adolf Hitler">Adolf Hitler</a> and the pope. He followed the film <i>Pygmalion</i> with <i><a href="Major_Barbara_(film)" title="Major Barbara (film)">Major Barbara</a></i> (1941), which he directed as well as produced. <i>Major Barbara</i> was filmed in London during <a href="The_Blitz" title="The Blitz">aerial bombing by the Nazis</a>. During air raids, the crew and cast had to dodge into bomb shelters. Pascal never stopped the production, and the film was completed on schedule. Pascal became more and more extravagant: <i><a href="Caesar_and_Cleopatra_(film)" title="Caesar and Cleopatra (film)">Caesar and Cleopatra</a></i> (1945), the next Pascal film of a Shaw play, was the most expensive British movie ever made at that time. It was a major financial and critical flop. Pascal insisted on importing sand from Egypt to achieve the right cinematic colors for the film. In this period, Shaw had become more difficult to work with. After the success of <i>Pygmalion</i>, which was shortened in its transition from stage to screen, the playwright increasingly refused to let his plays be cut.

</p><p>Shaw heightened his praise of Pascal during this period. He wrote in 1946:

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</style><blockquote class="templatequote"><p>Gabriel Pascal is one of those extraordinary men who turn up occasionally – say once in a century – and may be called godsends in the arts to which they are devoted. Pascal is doing for films what <a href="Sergei_Diaghilev" title="Sergei Diaghilev">Diaghileff</a> did for the Russian Balle...He shocks me by his utter indifference to cost; but the result justifies him; and Hollywood, which always values a director in proportion to the money he throws away, is now at his feet: for he throws it away like water. The man is a genius: That is all I have to say about him.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup></p></blockquote>

<p>Pascal produced <i><a href="Androcles_and_the_Lion_(1952_film)" title="Androcles and the Lion (1952 film)">Androcles and the Lion</a></i> (1952), but by this time he was suffering from cancer.

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<div class="mw-heading mw-heading2"><h2 id="Death">Death</h2></div>

<p>Pascal died of cancer in July 1954.

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<div class="mw-heading mw-heading2"><h2 id="References">References</h2></div>

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</style><cite id="CITEREFPeters1996" class="citation journal cs1">Peters, Sally (1996). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/45304029">"Ingrid Bergman, "Saint Joan", and G. B. S."</a> <i>The Independent Shavian</i>. <b>34</b> (1/2): <span class="nowrap">9–</span>11. <a href="JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/45304029">45304029</a><span class="reference-accessdate">. Retrieved <span class="nowrap">20 January</span> 2022</span>.</cite></span>

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<li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><cite id="CITEREFTakács2011" class="citation journal cs1">Takács, Ferenc (2011). <a rel="nofollow" class="external text" href="https://filmvilag.hu/xista_frame.php?cikk_id=10886">"Gabriel Pascal: Az ördög cimborája"</a>. <i>Filmvilág</i>. <b>54</b> (12): <span class="nowrap">33–</span>35<span class="reference-accessdate">. Retrieved <span class="nowrap">20 January</span> 2022</span>.</cite></span>

</li>

<li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text">Dukore, Bernard F., editor. <i>Selected Correspondence of Bernard Shaw: Bernard Shaw and Gabriel Pascal</i>. Toronto: University of Toronto Press, 1996. p. xv. <a href="ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <bdi>0-8020-3002-5</bdi></span>

</li>

<li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text">Pascal, Valerie, <i>The Disciple and His Devil.</i> New York: McGraw-Hill, 1970. p. 59. <a href="LCCN_(identifier)" class="mw-redirect" title="LCCN (identifier)">LCCN</a> <a rel="nofollow" class="external text" href="https://www.loc.gov/item/79119827">79-119827</a></span>

</li>

<li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text">Pascal, Valerie, <i>The Disciple and His Devil.</i> New York: McGraw-Hill, 1970. p. 60</span>

</li>

<li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text">Pascal, Valerie, <i>The Disciple and His Devil.</i> New York: McGraw-Hill, 1970. p. 64</span>

</li>

<li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text">Pascal, Valerie, <i>The Disciple and His Devil.</i> New York: McGraw-Hill, 1970. p. 67</span>

</li>

<li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">Pascal (1970), <i>The Disciple ...</i> p. 70</span>

</li>

<li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">Pascal (1970), <i>The Disciple ...</i>, p. 69–70</span>

</li>

<li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text">Pascal (1970), <i>The Disciple...</i>, p. 70</span>

</li>

<li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text">Kalchuri, Bhau. <i>Meher Prabhu: Lord Meher, The Biography of the Avatar of the Age, Meher Baba.</i> Manifestation, 1986. p. 1890</span>

</li>

<li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><i>Awaken Magazine</i>, Volume 18 Number 1, 1978</span>

</li>

<li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text">Kalchuri (1986) <i>Meher Prabhu</i>, p. 3877</span>

</li>

<li id="cite_note-pascal70-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-pascal70_14-0">^</a></b></span> <span class="reference-text">See <cite id="CITEREFPascal1970" class="citation book cs1">Pascal, Valerie (1970). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=hjmEM5mjhfMC&pg=PA219"><i>The disciple and his devil: Gabriel Pascal, Bernard Shaw</i></a>. New York: McGraw-Hill. <a href="ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <bdi>978-0-595-33772-9</bdi>.</cite> Page 219 states that "<a href="Jawaharlal_Nehru" title="Jawaharlal Nehru">Nehru</a> had given his consent, which he confirmed later in a letter to Gabriel: 'I feel... that you are the man who can produce something worthwhile. I was greatly interested in what you told me about this subject [the Gandhi film] and your whole approach to it."</span>

</li>

<li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text">Pascal (1970) <i>The Disciple...</i>, p. 83</span>

</li>

<li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text">Deans, Marjorie. <i>Meeting at the Sphinx: Gabriel Pascal's Production of Bernard Shaw's Caesar and Cleopatra, with forewords by both the author and producer, Bernard Shaw and Gabriel Pascal</i>. London: MacDonald, 1946, Prologue. <a href="LCCN_(identifier)" class="mw-redirect" title="LCCN (identifier)">LCCN</a> <a rel="nofollow" class="external text" href="https://www.loc.gov/item/46006464">46-6464</a></span>

</li>

<li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.norton.org/index.cfm?fuseaction=photo.album&id=226">Credit line on artwork</a> on museum website</span>

</li>

</ol></div></div>

<div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2></div>

<ul><li>Donald P. Costello. <i>The Serpent's Eye, Shaw and the Cinema.</i> Notre Dame, Indiana: University of Notre Dame Press, 1965.</li>

<li>Marjorie Deans. <i>Meeting at the Sphinx – Gabriel Pascal's Production of Bernard Shaw's Caesar and Cleopatra.</i> London: MacDonald, 1946. <a href="LCCN_(identifier)" class="mw-redirect" title="LCCN (identifier)">LCCN</a> <a rel="nofollow" class="external text" href="https://www.loc.gov/item/46006464">46-6464</a></li>

<li>Bernard Shaw and Gabriel Pascal. <i>Bernard Shaw and Gabriel Pascal (Selected Correspondence of Bernard Shaw).</i> Bernard F. Dukore (Editor). Toronto: University of Toronto Press, 1996. <a href="ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <bdi>0-8020-3002-5</bdi>.</li></ul>

<div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div>

<ul><li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0664257/">Gabriel Pascal</a> at <a href="IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li>

<li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=a9iLtivLQjA"><i>March of Time</i> Newsreel with Gabriel Pascal</a></li></ul>

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</style><div id="Films_produced_by_Gabriel_Pascal36" style="font-size:114%;margin:0 4em">Films produced by </div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li><i><a href="The_Captain_from_K%C3%B6penick_(1931_film)" title="The Captain from Köpenick (1931 film)">Der Hauptmann von Köpenick</a></i></li>

<li><i><a href="Unheimliche_Geschichten_(1932_film)" title="Unheimliche Geschichten (1932 film)">Unheimliche Geschichten</a></i></li>

<li><i><a href="Reasonable_Doubt_(1936_film)" title="Reasonable Doubt (1936 film)">Reasonable Doubt</a></i></li>

<li><i><a href="Cafe_Mascot" title="Cafe Mascot">Cafe Mascot</a></i></li>

<li><i><a href="Pygmalion_(1938_film)" title="Pygmalion (1938 film)">Pygmalion</a></i></li>

<li><i><a href="Major_Barbara_(film)" title="Major Barbara (film)">Major Barbara</a></i></li>

<li><i><a href="Caesar_and_Cleopatra_(film)" title="Caesar and Cleopatra (film)">Caesar and Cleopatra</a></i></li>

<li><i><a href="Androcles_and_the_Lion_(1952_film)" title="Androcles and the Lion (1952 film)">Androcles and the Lion</a></i></li></ul>

</div></td></tr></tbody></table></div>

<div class="navbox-styles"></div><div role="navigation" class="navbox" aria-labelledby="Meher_Baba114" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="3"><div id="Meher_Baba114" style="font-size:114%;margin:0 4em"><a href="Meher_Baba" title="Meher Baba">Meher Baba</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Publications</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li><i><a href="God_Speaks" title="God Speaks">God Speaks</a></i> (1955 book)</li>

<li><i><a href="You_Alone_Exist" title="You Alone Exist">You Alone Exist</a></i> (1962 poem)</li>

<li><i><a href="God_in_a_Pill%3F" title="God in a Pill?">God in a Pill?</a></i> (1966 pamphlet)</li></ul>

</div></td><td class="noviewer navbox-image" rowspan="7" style="width:1px;padding:0 0 0 2px"><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Terms and concepts</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li><a href="Perfect_Master_(Meher_Baba)" title="Perfect Master (Meher Baba)">Perfect Master</a></li>

<li><a href="Mandali_(Meher_Baba)" title="Mandali (Meher Baba)">Mandali</a></li></ul>

</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Pilgrimage sites</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li><a href="Meherabad" title="Meherabad">Meherabad</a></li>

<li><a href="Meher_Spiritual_Center" title="Meher Spiritual Center">Meher Spiritual Center</a></li>

<li><a href="Sufism_Reoriented_Sanctuary" title="Sufism Reoriented Sanctuary">Sufism Reoriented Sanctuary</a></li></ul>

</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Associated figures</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li><a href="Norina_Matchabelli" title="Norina Matchabelli">Norina Matchabelli</a></li>

<li><a href="Francis_Brabazon" title="Francis Brabazon">Francis Brabazon</a></li>

<li><a href="Charles_Purdom" title="Charles Purdom">Charles Purdom</a></li>

<li><a href="Quentin_Tod" title="Quentin Tod">Quentin Tod</a></li>

<li><a href="Meredith_Starr" title="Meredith Starr">Meredith Starr</a></li>

<li><a href="Margaret_Mayo_(playwright)" title="Margaret Mayo (playwright)">Margaret Mayo</a></li>

<li><a href="Tom_Hopkinson" title="Tom Hopkinson">Tom Hopkinson</a></li></ul>

</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Encountered masters</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li><a href="Hazrat_Babajan" title="Hazrat Babajan">Hazrat Babajan</a></li>

<li><a href="Upasni_Maharaj" class="mw-redirect" title="Upasni Maharaj">Upasni Maharaj</a></li>

<li><a href="Sai_Baba_of_Shirdi" title="Sai Baba of Shirdi">Sai Baba of Shirdi</a></li>

<li><a href="Tajuddin_Muhammad_Badruddin" title="Tajuddin Muhammad Badruddin">Tajuddin Baba</a></li>

<li><a href="Narayan_Maharaj" title="Narayan Maharaj">Narayan Maharaj</a></li></ul>

</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Albums</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li>"<a href="Don't_Worry%2C_Be_Happy" title="Don't Worry, Be Happy">Don't Worry, Be Happy</a>"</li>

<li><a href="Happy_Birthday_(Pete_Townshend_album)" title="Happy Birthday (Pete Townshend album)"><i>Happy Birthday</i></a> (1970 album)</li>

<li><a href="I_Am_(Pete_Townshend_album)" title="I Am (Pete Townshend album)"><i>I Am</i></a> (1972 album)</li>

<li><a href="With_Love_(Pete_Townshend_album)" title="With Love (Pete Townshend album)"><i>With Love</i></a> (1976 album)</li>

<li><a href="O'_Parvardigar_(EP)" title="O' Parvardigar (EP)"><i>O' Parvardigar</i></a> (2001 album)</li></ul>

</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Filmography</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">

<ul><li><i><a href="Meher_Baba_Newsreel_Footage" title="Meher Baba Newsreel Footage">Meher Baba Newsreel Footage</a></i> (1932)</li>

<li><i><a href="The_Awakener_(film)" title="The Awakener (film)">The Awakener</a></i> (1969)</li>

<li><i>God In Human Form</i> (2003)</li>

<li><i><a href="The_Theme_of_Creation" title="The Theme of Creation">The Theme of Creation</a></i> (2005)</li>

<li><i>Bhau Kalchuri: Meher Baba's Lion</i> (2006)</li>

<li><i><a href="Nema_aviona_za_Zagreb" title="Nema aviona za Zagreb">Nema aviona za Zagreb</a></i> (2012)</li></ul>

</div></td></tr></tbody></table></div>

<div class="navbox-styles"></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q1489537#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata1918" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q1489537#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata1918" style="font-size:114%;margin:0 4em">Authority control databases </div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000081254969">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/46923373">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.worldcat.org/fast/376032">FAST</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJpj8TkrkgDHHdJVbrVwG3">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/119553864">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/no96030538">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb13541352k">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb13541352k">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://datos.bne.es/resource/XX1535941">Spain</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p155708570">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://lod.nl.go.kr/resource/KAC201226480">Korea</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.nli.org.il/en/authorities/987007443904505171">Israel</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.performing-arts.eu/discovery/agent/gnd_119553864">FID</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.deutsche-biographie.de/119553864.html?language=en">Deutsche Biographie</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/095185488">IdRef</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6mp53vn">SNAC</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://lux.collections.yale.edu/view/person/cfcc37a2-906f-4548-a7a8-66fa8bfc4506">Yale LUX</a></span></li></ul></div></td></tr></tbody></table></div></div><div><div class="zim-footer">

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